Temple University 4 credits MUST
This course seeks to develop visual, aural and written skills in the formal analysis of tonal music by combining written and aural theory. Materials covered in Theory I and II are carried forward to study the tonal language of literature from Baroque, Classical, and Romantic styles that include examples of basic phrase structures, binary and ternary forms, variation, rondo, sonata-allegro and concerto forms, Lieder, and the contrapuntal procedures in canon and fugue. Students will learn to separate a whole into its melodic, harmonic and rhythmic parts, to explore the relationship of these parts to the whole and to each other, and to compose original phrases possessing similar relationships. Students will also develop aural skills in the sight-singing and dictation of chromatic and modulating material, and the performance of rhythms utilizing small subdivisions and changing meters. Students must demonstrate mastery in both written and aural theory skills to pass the course.
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